Select images are now available for purchase as Genuine Giclées on archival canvas in various sizes.
For more information and to view the images currently offered for sale please visit:
CLICK IMAGES FOR FULL-SIZE VIEW AND TO ZOOM IN
Highland Light (previously known as Cape Cod Light) is an active lighthouse on the Cape Cod National Seashore in North Truro, Massachusetts. The current tower was erected in 1857, replacing two earlier towers that had been built in 1797 and 1831. It is the oldest and tallest lighthouse on Cape Cod.
In 1797, a station authorized by George Washington was established at this point on the Cape, with a wood lighthouse to warn ships about the dangerous coastline between Cape Ann and Nantucket. It was the first light on Cape Cod. In 1833, the wood structure was replaced by a brick tower and in 1840 a new lantern and lighting apparatus was installed. In 1857 the lighthouse was declared dangerous and demolished, and for a total cost of $17,000, the current 66 foot brick tower was constructed.
On June 6, 1900, the light was changed from a fixed beam to flashing, with a new. The new Barbier, Benard & Turenne first-order Fresnel lens had four panels of 0.92 meter focal distance, revolved in mercury, and gave, every five seconds, flashes of about 192,000 candlepower nearly one-half second in duration. While the new lens was being installed, the light from a third-order lens was exhibited atop a temporary tower erected near the lighthouse; it was later sold at auction. The Highland Light was then the most powerful on the East Coast. Two four-horsepower oil engines with compressors operated by an engine fueled by kerosene, were added to ensure that the fog signal could be activated within 10 minutes instead of the previous forty five. A new fog signal was installed in 1929, an electrically operated air oscillator, for greater distance range.
The lighthouse was converted to electric operation in 1932 with a 1000-watt beacon. In 1946, Highland Light’s Fresnel lens was replaced by modern aerobeacons, first by a Crouse and Hinds DCB-36 double rotating light and then by a Carlisle & Finch DCB-224, with a second unit as backup. Unfortunately, the Fresnel lens was severely damaged when it was removed, but fragments are on display in the museum on site. The light was fully automated by 1986 with a Crouse-Hinds DCB-224 rotating beacon.. Finally, in 1998, a VRB-25 optical system was installed.
Presented here is a series of lyrical abstracts that have departed from reality in form, shape, texture and color. They are blatant alterations of real-life entities that do not attempt to represent reality, but rather to mimic it in an alternate view of the world.
Most abstracts, both geometric abstraction and lyrical abstraction, are often totally abstract. Among the very numerous art movements that embody partial abstraction would be for instance fauvism in which color is conspicuously and deliberately altered vis-a-vis reality, and cubism, which blatantly alters the forms of the real life entities depicted. All of the images presented here began as photographs of real things, some as interesting as the abstraction, others simply depicting the mundane.
CLICK ANY PHOTO FOR SLIDESHOW
Your questions and comments are welcome.
Shop for Prints: Alan Hagberg Photography Fine Art Giclées
Everybody’s Free (To Wear Sunscreen)
Here’s the catch—the one thing you can’t trust him on is the sunscreen. Extensive studies have shown that most sunscreens can contribute to melanoma and it was found that the only effective sunscreen is Vitamin E (tocopherol). The synthetic version of E (tocopheryl) has not been tested but researchers think it may also work. Everything else Baz Luhrmann says is perhaps the most down-to-earth advice you’re ever going to get. Listen.